!["Nothing Ever Just Disappears: Seven Hidden Queer Histories" by Diarmuid Hester.](https://outsfl.com/media/astroid/assets/images/blank.png)
Go to your spot. Where that is comes to mind immediately: a palatial home with soaring windows, or a humble cabin in a glen, a ramshackle treehouse, a window seat, a coffeehouse table, or just a bed with a special blanket.
In the movies and on television, psychologists make great detectives, profiling their suspects, digging into the deepest and sometimes darkest motivations for their crimes. In real life, licensed psychologist Bayla Travis does somewhat the opposite – using her training and clinical experiences to create engaging characters for the stage.
Let’s be honest. Director Tom Gustafson, and his longtime writing partner Cory Krueckeberg, had one good movie in them: 2008’s “Were The World Mine.”
Zaylin Yates is the Founding Managing Director of Brévo Theatre (2019), a nonprofit committed to amplifying the voices of young Black artists and providing a platform to the unheard by highlighting up-and-coming playwrights, actors, dancers, and directors, by offering a diverse entertainment experience through color-blind casting.
Nearly 60 years ago, a Broadway classic was born when John Kander, Fred Ebb, and Joe Masteroff’s “Cabaret” opened on Broadway. But what opened on Broadway in 1966 is a show very different from what many people know today. Unlike shows like classic musicals that have been revived more or less unchanged books and scores, Cabaret has seen multiple dramatic transformations in both its book, score, and staging as it was adapted for the screen and then revived on Broadway three times.
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