A&E

Even if you already deplore the bilious and overly-permed Mark Zuckerberg, writer/director Aaron Sorkin’s “The Social Reckoning” (Sony/Columbia), a sort of sequel to David Fincher’s “The Social Network” (for which Sorkin wrote the screenplay), will likely provide you with additional reasons to loathe the ironically socially obdurate multi-billionaire. 

On a dark, stormy night in 1993, five men arrive at a cabin for a soap star's surprise birthday party.

It’s that time of year, as fall arrives and the license plates change color. It not only brings snowbirds, but also news about all the touring shows and local productions of Broadway hits, and new interpretations for those that might not have done so well. This year is no exception and there are so many from which to choose.

There are demanding theater roles, and then there is stepping into Blanche Devereaux’s heels. Audiences already know the walk, the voice and the look that says she has spotted a man worth getting into trouble over. For Vince Kelley, who plays the Southern belle in Golden Girls: The Laughs Continue, the challenge begins with affection for both the character and the woman who made her unforgettable, Rue McClanahan.

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