A year ago, director Nicole Stodard saw Brian Watkins' off-Broadway play "Weather Girl" at St. Ann's Warehouse in Brooklyn. Artistic Director Bari Newport had seen it, too, and wanted to stage it at GableStage. She promptly secured the rights.
A&E
Mom always said to tell the truth.
OUTShine LGBTQ+ Film Festival unveils its full film lineup for this year’s Fall Edition running Oct. 15 – 25 in South Florida.
Growlr is getting a new home along with a multimillion-dollar makeover. Perry Street Software, the company behind SCRUFF and Jack’d, announced Oct. 6 that it has acquired the dating and social app for bears and their admirers from The Meet Group. The independent queer app publisher is planning a multiyear investment to not only rebuild Growlr, but to completely refresh its identity as well as to deepen its connections with the community it serves.
October is here, and of course I’m making room for some spooky reads. I love a story that pulls me into its world, whether that means a wedding weekend that becomes a nightmare or a witch trying to manage family expectations while dealing with someone she would rather not find attractive. My reading mood changes, and sometimes I want the scares while other times, I’m perfectly happy with a little magic and romance.
Check out our interview with Laurell K. Hamilton, the author of "A Glimmer of Death."
Check out our interview with Lily Chen, the author of "The Matcha Maker Cafe."
Check out our interview with Robbie Couch, the author of "Just the Good Parts."
It shouldn’t come as a surprise that documentary filmmaker Lance Oppenheim’s feature film directorial debut “Primetime” (A24) is as grainy and dimly lit as it is. The visual effects are befitting the gritty and gloomy subject matter: a dramatized look at the Dateline NBC reality show To Catch a Predator, a hidden camera program in which adult men were confronted and then arrested for arranging sexual encounters with underage people.
Playwright Sheri Wilner-Deering was doing research for her next play. It was the Fall of 2025 and she wanted to write about women who stood up to powerful men.
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