Flavia Bruntti wanted to write about three historic cities that are kept by a web of time, and hence came up with "The Web of Time."
A&E
Expectations were low for the fourth attempt at bringing Marvel’s Fantastic Four to the big screen, but somehow director Matt Shakman, who is mostly known for his TV series work, makes us forget about the abysmal 2015, 2007, and 1994 renditions. His “The Fantastic Four: First Steps” (Marvel Studios), in IMAX, benefits from the combination of heroics, humanity, and humor.
Jaclyn Westlake thought a great idea for a premise is about people seeking a fresh start, and hence came up with "Lucky Break."
Years before the LGBTQ community fell in love with Taylor Swift, there was Taylor Dayne.
Nothing beats escaping into a fresh story as the summer sun blazes on.
A fan favorite every time she hits the screen, Aja returned to “RuPaul's Drag Race All Stars 10” more fully realized than ever before.
Ellie K. Wilde wanted to explore what is it like to meet someone who is the complete opposite of everything you are and would want in a partner, and hence "Only Between Us" was born.
When I tell you that Krypto, the CGI version of dog-actor Jolene, the foster-dog of Superman (breathtakingly handsome David Corenswet), is the best part of James Gunn’s insanely OTT reboot of “Superman” (DC Studios), in IMAX no less, I’m not just throwing you a bone.
There’s something oddly comforting about a masked killer, a group of teens with secrets, and a phone ringing with that bone-chilling line: “Do you like scary movies?”
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