A&E

Have you ever watched a movie where you could see every plot point coming, but it didn’t matter because the performances by the lead actors were so compelling that you stuck with it? Such is the case with director and co-writer Kyle Hausmann-Stokes’ “My Dead Friend Zoe” (Universal).

If you are a fan of the popular queer Netflix series “Heartstopper,” then you will probably also adore “Bonus Track” (Sunrise Films). Co-written by actor Josh O’Connor (“Challengers,” “God’s Own Country,” and the forthcoming gay movie “The History of Sound”), “Bonus Track” is the feature-length debut from director Julia Jackman.

From 1964 until Diana Ross’ departure in 1969, The Supremes (as they were known in the beginning) released as few as two albums a year (or as many as five, as in 1965).

From the moment I slipped on my sparkly disco ears, I knew the night was going to be magical. "Mamma Mia! The Musical" at the Arsht Center on Feb. 18 wasn’t just a musical. It was a full-on glittery, feel-good, ABBA-fueled extravaganza that had me twirling in my fluffy blue skirt and sparkly Stormtrooper shirt like I was born to be a dancing queen.

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