In a year of questionable remakes and reimaginings, such as Emerald Fennell’s “Wuthering Heights” and Maggie Gyllenhaal’s “The Bride,” it’s not unreasonable to ask whether we needed another “Sense and Sensibility” (Focus). The answer is a reluctant yes. Why reluctant? Because, as classic “love conquers all” stories go, Jane Austen’s 215-year-old novel, on which the movie is based, is still a painful reminder of class issues, as well as the conceit that, in some cases, women remain at the mercy of men.










