According to wackadoodle preacher, and ex-gay, Pastor Royer (David Koechner), in co-directors Colby Holt & Sam Probst’s “Ganymede” (VMI Worldwide), a Ganymede is an unrepentant homosexual.
Screen Queen
In 2024, horror cinema is having its best year in a long time. Fright flicks such as “Longlegs,” “Cuckoo,” “A Quiet Place: Day One,” “MaXXXine,” and “Abigail,” are scaring up impressive box office activity.
Even though “Sing Sing” (A24) features out actor Colman Domingo (giving another of his trademark Oscar-worthy performances) and tells the story of a sort of theater troupe, it is not a musical. It is, in fact, quite the opposite. “Sing Sing” is the kind of “feel good” movie that the Brits are so good at, as in the cases of “The Full Monty,” “Brassed Off,” “Billy Elliott,” and “Pride.”
Deadpool, as portrayed by the irresistible Ryan Reynolds (even beneath burn make-up and a bad toupee, literally stapled to his head), is the MCU superhero for people who loathe MCU superheroes. His suggestive homoerotic patter is as hilarious as it is filthy (just wait for the “get out the special sock” line). Deadpool’s true superpower is his sharp tongue, and his attacks on movie studios and other pop culture phenomena are on full display in “Deadpool & Wolverine” (20th Century), the third installment in the popular series.
For some queer folks, dueling divas is a tale as old as time. Whether it’s Barbra Streisand versus Bette Midler, Whitney Houston versus Mariah Carey, Christina Aguilera versus Britney Spears, or Lady Gaga versus Ariana Grande. When it comes to Cyndi Lauper versus Madonna, the winner is clear (hint: it’s Lauper). Even if you read her marvelous and revealing 2012 memoir, there’s nothing like hearing Lauper herself telling her story in her distinctive New York accent.
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