A&E

By 1975, much of Elton John’s artistic output, including “Tumbleweed Connection,” “Madman Across the Water,” “Honky Chateau,” and “Goodbye Yellow Brick Road,” had not only been greeted enthusiastically by critics but also by fans who were eager to accept his musical genius combined with his antics.

Gay filmmaker Ira Sachs never ceases to surprise us. With movies such as the period infidelity drama “Married Life” to his New York real estate trilogy – “Keep The Lights On,” “Love Is Strange,” and “Little Men” – to his bisexuality exploration “Passages,” Sachs has kept viewers engaged since the late 1990s.

One person. Two, twelve, twenty, you can still feel alone in a crowded room if it’s a place you don’t want to be. People say, though, that that’s no way to do the holidays; you’re supposed to Make Merry, even when your heart’s not in it. You’re supposed to feel happy, no matter what – even when, as in “The Dogs of Venice” by Steven Rowley, the Christmas tinsel seems tarnished.

Acclaimed, Baltimore-based gay writer James Magruder’s new book, “No One is Looking at You” (Rattling Good Yarns Press, 2025), a collection of linked short stories, has everything we’ve come to expect from him, including rapier wit combined with the most extraordinary observations on the ever-evolving queer human condition.

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