Read our interview below with V. T. Bidania, the author of "A Year Without Home."
A&E
A directorial and writing debut every bit as potent as Eva Victor’s “Sorry, Baby,” writer/director Charlie Polinger’s “The Plague” (IFC) is also just as hard to shake. Which makes it required viewing.
Sometimes a movie sneaks up on you in the best way, and "Primate" did exactly that when I previewed it last night.
These days, it seems like you can’t walk down Wilton Drive without hearing someone talking about Alexander Zenoz.
HarperCollins is bringing the heat this February with a trio of YA releases that balance heart, romance, and high-stakes magic.
On our screens in 2025, there was no shortage of women overcoming seemingly insurmountable odds. Linda (Rose Byrne) in “If I Had Legs I’d Kick You,” Agnes (Jessie Buckley) in “Hamnet,” and Willa (Chase Infiniti) in “One Battle After Another,” are just a few examples. Agnes (non-binary Eva Victor) in “Sorry, Baby” (A24), is another.
When fans learned in early 2025 that Monica and Brandy would go on tour, the news was met with widespread excitement. That admiration was on full display as “The Boy is Mine” tour took a stop at the Kaseya Center in Miami.
The Adrienne Arsht Center for the Performing Arts of Miami-Dade County (@arshtcenter) and Zoetic Stage (@zoeticstagemia) are proud to present the Florida premiere of Matthew Lopez’s award-winning epic, The Inheritance, Part 1.
The Gay Men’s Chorus of South Florida (GMSCF) presented its annual Christmas concert, “Holiday Slay Ride,” and it was quite the ride.
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