Lindz Amer wanted to write a book that they wished they had when they were a child, so that's how "Hooray for She, He, Ze, and They!" came to be.
A&E
Xunami Muse’s “RuPaul’s Drag Race” journey saw her participating in iconic challenges, giving killer runway looks, and revealing intimate parts of her own life. As Muse departs the competition after a stunning lip sync with her sister Morphine Love Dion, we sat down for an extensive chat. We got to catch up on her “Drag Race” experience, her thoughts on being part of the New York City drag renaissance, and why the core of her drag career is sisterhood.
Slow Burn Theatre Company has announced its 2024/2025 Season. Slow Burn Theatre Artistic Director Patrick Fitzwater wrote on browardcenter.org, “We have put together an exciting and eclectic season that is tied together with the common element of each musical delivering highly theatrical, dramatic, and engaging experiences.”
Winter Party Festival the annual, week-long celebration of music, dance, and community, produced by the National LGBTQ Task Force to raise critical funds for the LGBTQ movement, takes place Feb. 28–March 5, in Miami Beach and Wilton Manors.
Nikki Payne wanted to write about shame and redemption, as well as Black and Native folks in small towns, so she wrote “Sex Lies and Sensibility”.
Said to be the first installment in a trilogy, “Drive-Away Dolls” (Focus), which was originally titled “Drive-Away Dykes” marks Ethan Coen’s solo narrative directorial debut. Co-written by Coen and his out lesbian wife Tricia Cooke (seriously, Google it), “Drive-Away Dolls” harkens back to early Coen brothers films “Blood Simple” (the violence) and “Raising Arizona” (the comedic, rapid-fire dialogue and situations). Additionally, there is the presence of queer characters, something the filmmakers dabbled with in “Miller’s Crossing,” “The Man Who Wasn’t There,” and especially “Hail, Caesar!”
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