Rock and Roll Hall of Famer Belinda Carlisle headlines this year’s Diversity Honors at the Seminole Hard Rock Hotel & Casino in Hollywood.
One thing you can say about Oscar-winning screenwriter Diablo Cody: she’s consistently inconsistent. Since her groundbreaking screenwriting debut in 2007 with “Juno,” her track record has been uneven, with the misses (“Ricki and the Flash,” “Paradise,” and “Jennifer’s Body”) outweighing the hits (“Young Adult” and “Tully”).
From India Ferrah to Anetra, Las Vegas has delivered some stunning queens to "RuPaul's Drag Race" and without a doubt, Mirage is one of those performers. While her time on Season 16 was cut short (after a very emotional Lip Sync For Your Life), Mirage has pivoted to looking towards the future and reflecting on the positive aspects of her experience. I sat down to chat with Mirage about the "Drag Race" moments she loved, the challenge she wished she got to participate in, and the "Drag Race" alumni that helped her prepare for the competition.
“Schartt$ Creek: Honeymoon in Wilton Manors” is written by Jamie Morris, also behind the brilliantly titled “Mommie Queerest,” “The Silence of the Clams,” and “Gilligan’s Fire Island.”
Nominated for two Academy Awards (Best Motion Picture and Best Original Screenplay) and currently sitting at 96% on Rotten Tomatoes, Celine Song’s first film “Past Lives” (A24) is the kind of debut that only comes along occasionally. There are numerous reasons why “Past Lives” has connected with audiences, but it is certain to find a following among queer viewers because the story could just as easily be told from a same-gender perspective.
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