Kerri Maher wanted to explore reproductive justice from a variety of perspectives, so she wrote "All You Have to do is Call".
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The movies “Keep The Lights On” (2012), “Love Is Strange” (2014), and “Little Men” (2016), comprise what queer filmmaker Ira Sachs has called his New York real estate trilogy. Beginning in 2019, with the Portugal-set “Frankie” (starring Isabelle Huppert), Sachs has shifted his settings overseas. His new film, “Passages” (Mubi), is set in Paris.
Jonathan Harper is good at luring and lulling readers. In his debut novel “You Don’t Belong Here” (Lethe, 2023), the queer writer sets the stage with protagonist Morris, a bisexual writer from the DC area, finishing up his residency at the Manderlay Colony.
Grab your phone, or if you’re going old-school, your Day-Planner, and add these dates.
Writer/director Jennifer Reeder’s 2017 “Signature Move” is one of the funniest and sweetest lesbian romcoms you’ll ever see. Her new queer body-horror movie “Perpetrator” (IFC/Shudder), as inventive as it is derivative, is sure to be despised by “Barbie” movie-hating Christian nationalists who will go nuts over the female empowerment message. Too bad for them.
Four women get a chance at life after death in a local playwright’s new original work, “The Equivalent of Sensation.”
Auditions are always nerve-wracking. Will the part be yours?
Khristin Wierman was inspired by the idea of change, so she wrote "This Time Could Be Different".
In Jeff L. Lieberman’s informative and reverent doc “Bella!” (Re-Emerging Films), there are many fascinating and enlightening things to learn about the late, progressive politician Bella Abzug. But perhaps the most shocking is that she was never before the subject of a documentary, that is, until now.
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