Trans Day of Visibility is just that: a single day. Now one group is working to make the trans community more visible than ever. The Trans On Film festival is coming to Wilton Manors and Los Angeles in March 2027.
Many of us have seen at least one gay or straight rom-com, in which the nebbish-y lead character, played by the movie’s writer/director, ends up making out (or more) with another hot lead character. In a way, that’s the fantasy part of actor/writer/director Matt Shear’s “Fantasy Life” (Greenwich Entertainment).
It’s still early in 2026, but once you witness Oscar-nominated actor Ryan Gosling’s riveting portrayal of science teacher/inadvertent planet savior Ryland Grace in “Project Hail Mary” (Amazon/MGM), you may agree that he’s a shoo-in for an Academy Award nomination and may, in fact, take home a statuette. His layered performance draws on both his comedic and dramatic skills in equal measure, combined with his general hotness (wait until you see him in one of his skintight space suits).
Many people can agree that 2025 was a banner year for scary movies; from the subtle terror of “Presence” to the visceral horror of “Weapons” and “Bring Her Back,” to the groundbreaking showstopper “Sinners.” While it’s still early in 2026, the year isn’t showing much promise so far.
Like Emerald Fennell’s “Wuthering Heights,” Maggie Gyllenhaal’s “The Bride!” (Warner Brothers) is loosely based on pre-existing material. Both adaptations are dark and moody, but the difference is that Gyllenhaal found the light, whereas Fennell simply allowed the darkness to overwhelm her movie.
Tonight, I’m going to the movies with my husband Sebastian and one of my closest friends, Russell. On paper, it’s just a movie night, some popcorn, a theater seat, and Pixar’s newest film, Hoppers. But if you know me, you know Pixar movies are never just another night out. They’re something I genuinely look forward to in a way that feels both nostalgic and meaningful.
The loss of the late Oscar-winning fashion icon Diane Keaton in October 2025 was an immeasurable one.
For a novel published almost 180 years ago, Emily Bronte’s “Wuthering Heights,” the soul-crushing story of the obsessive love between Catherine and Heathcliff, remains a literary and pop culture standard, remade and retold 35 times, in film, TV movie, and series adaptations. Even the Kate Bush song “Wuthering Heights,” from her 1978 “The Kick Inside” album, has additional versions recorded by Pat Benatar and Cécile McLorin Salvant.
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