Film

From the first time many of us saw Gael García Bernal onscreen, in “Amores Perros” or “Y Tu Mama Tambien,” we knew he had something special. A little spark they used to call “star quality.” In Almodóvar’s “Bad Education,” Iñárritu’s “Babel,” and more recently, Larraín’s “Ema,” Bernal was never anything less than riveting.

“Strange Way of Life” (Sony Pictures Classics) is gay, Spanish, filmmaker Pedro Almodóvar’s second English-language short feature following 2020's “The Human Voice.” It’s so thoroughly different from anything that Almodóvar has done previously that, even though it’s only 31 minutes long, it may take viewers longer to process than anything else in his oeuvre.

The ability to stream movies and the availability of a wide variety of films on cable channels has no doubt brought the art and craft of filmmaking to more people than ever before. However, there is nothing to compare to the magic of watching a movie screened bigger than life in a theater setting, where anywhere from dozens to hundreds of people are all experiencing the same thrills, intrigue, comedy, or drama.

Adapted from the graphic novel by Adrian Tomine (who also wrote the screenplay), “Shortcomings” (Sony Pictures Classics) is actor Randall Park’s directorial debut. The movie is a kind of Asian-American “Annie Hall” in the way it looks at modern love and artistic snobbery. It’s also reminiscent of “Barbie” in the way it takes well-deserved jabs at masculinity.

The movies “Keep The Lights On” (2012), “Love Is Strange” (2014), and “Little Men” (2016), comprise what queer filmmaker Ira Sachs has called his New York real estate trilogy. Beginning in 2019, with the Portugal-set “Frankie” (starring Isabelle Huppert), Sachs has shifted his settings overseas. His new film, “Passages” (Mubi), is set in Paris.

Writer/director Jennifer Reeder’s 2017 “Signature Move” is one of the funniest and sweetest lesbian romcoms you’ll ever see. Her new queer body-horror movie “Perpetrator” (IFC/Shudder), as inventive as it is derivative, is sure to be despised by “Barbie” movie-hating Christian nationalists who will go nuts over the female empowerment message. Too bad for them.

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