Since its world premiere in 1891, Norwegian playwright Henrik Ibsen’s tragedy “Hedda Gabler” has been adapted for the big screen more than a dozen times in multiple languages. In the extremely queer “Hedda” (MGM/Amazon), filmmaker Nia DaCosta (2021’s “Candyman” and the forthcoming “28 Years Later: The Bone Temple”) transplants the action from Norway to England, and from the late-19th century to the mid-20th century with riveting results.

It’s fitting, isn’t it, that Osgood Perkins, son of the late bisexual actor Anthony Perkins, should make a name for himself in the realm of cinematic horror.

For the past few years, South Florida has been in the news, and often not for good reasons, such as the 2018 mass shooting at Marjory Stoneman Douglas High School. However, as anyone who lives in or visits the Broward County region, which includes Fort Lauderdale and Wilton Manors, can tell you, there’s more to it than the occasional Florida Man story that crosses the wires.

Gay filmmaker Ira Sachs never ceases to surprise us. With movies such as the period infidelity drama “Married Life” to his New York real estate trilogy – “Keep The Lights On,” “Love Is Strange,” and “Little Men” – to his bisexuality exploration “Passages,” Sachs has kept viewers engaged since the late 1990s.

It’s hard to imagine a more suitable person than trans lesbian Tommy Dorfman to direct and write the movie adaptation of “I Wish You All The Best” (Lionsgate), based on the Y/A novel by non-binary writer Mason Deaver. Dorfman brings all the necessary sensitivity and perception to the project.

“Sort of” based on a chance Sally Kirkland encounter, “Sallywood” (FanForce/Buffalo 8), the feature-length debut by Xaque Gruber, feels like a vintage indie movie. Low budget, quirky, naïve, and unintentionally annoying.