Alexene Farol Follmuth wanted to write a love story where two people give each other space to exist in their vulnerability without judgment, so that is one of the reasons why she wrote "Twelfth Night."
Reading Rainbow
Seema Yasmin wanted to write a book celebrating queer icons and queer people's contributions to society over the centuries, so that was one of the reasons why she wrote, "The ABCs of Queer History."
While Ann Rose wouldn't classify "The Seemingly Impossible Love Life of Amanda Dean" a rom-com, she does include a lot of humor and kissing into it.
Katie Keridan believes in choosing who you want to be, and not having your past define you. That was one of the reasons why she wrote "Realm United."
Marina DelVecchio wanted to understand her sexuality and its origins, so she wrote "Unsexed" as a way to discover who she really was.
Ellie Palmer wanted to tell a story that explored love without the body parts society frequently links with a woman’s sexuality, so she wrote, "Four Weekends and a Funeral."
Chatham Greenfield's own disability makes them feel like they're stuck in a time loop, so they wanted to write a story about a character going through something similar, but having someone by their side who understands them.
Jennifer Hartmann's "Catch the Sun" touches on themes of survival, the power of human connection, and persevering against all odds.
Quinn Diacon-Furtado wanted to cover the themes of exclusion and generational patterns from the perspective of queer and nonbinary teens, so they wrote "The Lilies."
“We’re here.” Those are two words the burned like a fire inside of Matthew Hubbard as he wrote "The Last Boyfriends Rules for Revenge" in a time when Florida has been targeting the LGBTQ community via the "Don't Say Gay" law.
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