In his third season with the Symphony of the Americas (SOTA), Maestro Pablo Mielgo has planned “a season of discovery ... music connecting the world, where styles and sounds intersect at YOUR Symphony of the Americas.”

At just 22 years old, Joanna Sternberg is an old soul. Most of the songs on their new album “I’ve Got Me” (Fat Possum), come from a bare-bones folk tradition, performed by Sternberg on guitar, piano and keys, violin, and bass.

Is there anything more exhilarating than experiencing the creative growth of an artist you admire? Becca Mancari is such a perfect illustration of that. Over the course of three albums, including the modern Americana of their 2017 debut album “Good Woman” to the daring and haunting experimentation of the follow-up, 2020’s “The Greatest Part,” Mancari proved themself to be a musician who took risks.

Anyone who has been following queer singer/songwriter Caroline Rose since her independently released 2010 debut album “I Will Not Be Afraid” through her latest, 2023’s “The Art of Forgetting” (New West) knows that she’s comfortable slipping in and out of genres.