Film

"Theater Camp." Courtesy Searchlight Pictures.

There’s so much wrong with “Theater Camp” (Searchlight), the co-directorial debut of actress and writer Molly Gordon and Nick Lieberman, it’s difficult to know where to begin. As a character in a much better movie once said, “Let's start at the very beginning/A very good place to start.”

The friends trip gone wrong – from “Deliverance” to “The Hangover” to “Girls Trip” – is a tried-and-true formula of which audiences can’t seem to get enough. This also means that copycats abound, which can be both good and bad.

You might not think the House of Lords of the late 1980s and the Florida Legislature of the early 2020s would have much in common, other than questionable oral hygiene, but you’d be mistaken.

A common complaint against director and screenwriter Andrea Pallaoro, is that his screenplays (including 2017’s “Hannah” starring Charlotte Rampling) feel incomplete, with a lack of essential dialogue, in a way that puts great pressure on his actors.

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