Rektok Ross has an undying love of '90s horror and slasher movies, so that is one of the reasons why she wrote "Summer Rental."
A&E
Writer/director Minhal Baig’s third feature film “We Grown Now” (Sony Pictures Classics) officially announces her arrival as an important filmmaker. While it’s a much smaller film than say “Moonlight” or “American Fiction,” it nevertheless is sensitive, insightful, and even if you’re grown, you will probably cry at the end.
Fans of “RuPaul’s Drag Race” all over the globe are still recovering from the battle of the titans between Sapphira Cristal and Nymhpia Wind last Friday during the epic finale of “RuPaul’s Drag Race” 16th season, but fear not: some of your favorite “Drag Race All Stars” are prepared to come roaring back to our screens very soon. And this time, they are returning in a way that we have never seen before.
ArtBuzz Theatrics presents the Tony Award-winning musical “Falsettos,” April 26 through May 19 at Empire Stage in Fort Lauderdale.
Three-quarters of the all-female Utah-native band The Aces are queer.
Patricia Kane’s “Pulp” is both an homage to and a parody of film noir, lesbian pulp novel, and tough-dame movies.
No, Lucille Ball wasn't the original queen of television. Most of our younger readers will have no idea who Liberace was.
Marisa Kanter wanted to write about learning how to be kind to your imperfect self, so she wrote, "Finally Fitz."
Horror comedy has come a long way since “Abbott and Costello Meet Frankenstein.” In the 21st century, movies such as “What We Do In the Shadows,” “Get Out,” “Zombieland,” “Ready or Not,” “The Blackening,” and “Freaky” have elevated the genre to new heights.
After presenting some gag-worthy garments on the runway and making the Top Four on “RuPaul’s Drag Race” Season 16, Q has departed the competition, but not without firmly leaving her stamp on Season 16.
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